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Hollywood Adventure Movie Beauty And The Beast Review

Beauty and the Beast is a 2017 American musical romantic fantasy film directed by Bill Condon and produced by David Hoberman and Todd Lieberman, from the screenplay by Stephen Chbosky and Evan Spiliotopoulos. Produced by Walt Disney Pictures and Mandeville Films, this film is a live-action/CGI remake of Disney's 1991 animated feature film and Disney's 1994 Broadway musical of the same name, itself an adaptation of Jeanne-Marie Leprince de Beaumont's 1756 version of the fairy tale. Starring Emma Watson and Dan Stevens as the eponymous Belle and the Beast, this film features the supporting ensemble and choir cast including Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, and Emma Thompson.

The live-action remake of Beauty and the Beast was first announced in April 2014, with Condon hired to direct it; Watson, Stevens, Evans and the rest of the cast signed on between January and April 2015. Filming took place primarily at Shepperton Studios in England from May to August 2015. With an estimated budget of around $255 million, it is one of the most expensive films ever made.

Beauty and the Beast premiered at Spencer House in London on February 23, 2017, and was theatrically released in the United States in standard, Disney Digital 3-D, RealD 3D, IMAX, and IMAX 3D formats, as well as Dolby Cinema, on March 17. This film received generally positive reviews from critics, who praised its cast, songs, and visual detail. It grossed over $1.2 billion worldwide, becoming the second-highest-grossing film of 2017 and the tenth-highest-grossing film of all time. Amongst Disney's live-action remakes, the film is the second-highest-grossing readaptation to date. This film received several accolades, including two nominations at the 90th Academy Awards, four nominations at the 23rd Critics' Choice Awards, and two nominations at the 71st British Academy Film Awards. The spin-off television series, Little Town, was in development for Disney+, but has been put on hold.

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An enchantress disguised as an old beggar woman arrives at a castle during a ball and offers the host, a selfish and unkind prince, an enchanted rose if he shelters her from a storm. When he scornfully declines, she reveals her true form and transforms him into a beast and his servants into household objects before erasing them and the castle from the memories of their loved ones and the other villagers in nearby Villeneuve. Unless he learns to love someone and earn that person's love before the last petal falls, he will remain a beast permanently and the servants will become inanimate objects.

Several years later in Villeneuve, Belle, the book-loving daughter of widowed artist Maurice, dreams of adventure while constantly rejecting advances from Gaston, an arrogant hunter and war veteran. En route to the market, Maurice becomes lost in the forest and narrowly escapes a pack of wolves before seeking refuge in the Beast's castle. However, the Beast imprisons him after he "steals" a rose from the garden. When Maurice's horse returns riderless, Belle approaches the castle and finds him locked in the dungeon. She successfully pleads with the Beast to let her replace her father and is granted permission to bid him farewell; after hugging Maurice, she takes his place while the Beast drags him away.

Belle befriends the castle's servants, including candelabra/footman Lumiere, mantel clock/majordomo Cogsworth, feather-duster/maid Plumette, teapot/housekeeper Mrs. Potts, and her son Chip, now a teacup. When she finds the enchanted rose in the forbidden west wing, the Beast angrily forces her to flee. She is ambushed off-guard by the wolves from earlier, but the Beast rescues her, subsequently injuring himself. As she nurses his wounds, they bond. He shows her a gift from the enchantress, a book that transports readers to their desired location. She visits her childhood home in Paris, where she discovers a plague doctor's mask and realizes that when she was an infant, she forcibly departed with her father after her mother's death from the bubonic plague, which Maurice was hesitant to reveal. The Beast apologizes to her for calling him a thief, and they return to the castle.

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In Villeneuve, Maurice fails to convince the other villagers of the Beast, his castle and Belle's imprisonment. Gaston, believing that rescuing Belle could win her hand in marriage, agrees to help him. When Maurice discovers his ulterior motive and rejects him, Gaston incapacitiates him and abandons him to be devoured by wolves. Maurice is rescued by the town hermit Agathe and tells the townsfolk of Gaston's crime, but cannot provide solid evidence for either event; Gaston convinces them to send Maurice to an insane asylum.

After romantically dancing with the Beast, Belle discovers Maurice's predicament via a magic mirror. The Beast releases her to save him, giving her the mirror as a memento. Arriving back in town, she reveals the Beast via the mirror, greatly shocking the townsfolk and proving her father's sanity. Realizing she has fallen for the Beast, Gaston jealously has her thrown into the asylum carriage with Maurice, then rallies the villagers to slay the Beast before he "curses" the entire village. Inside the carriage, she tells Maurice about her mother's death, showing him the rose rattle from her magical visit to their old, abandoned home. The two escape, and she returns to the castle.

Gaston abandons his companion LeFou, who then sides with the Beast's servants to fend off the villagers. Meanwhile, Gaston attacks the depressed Beast in his tower, who regains his spirit upon seeing Belle return. He overwhelms Gaston, but spares his life just before reuniting with her. However, Gaston shoots the Beast from an unstable bridge; its collapse sends Gaston falling to his death. The Beast then dies just as the last petal falls, and the servants become inanimate objects. As Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, which repairs the crumbling castle, revives the Beast, and restores him and his servants to their human forms along with the villagers' memories. The film ends with Belle and the prince hosting a ball for the kingdom, where they happily dance together.

Emma Watson as Belle, a young benevolent bibliophile who seeks for life beyond the confines of her village. She develops feelings for the Beast and begins to see the humanity within him. Watson was announced to have been cast on January 26, 2015. She was the first and only choice of Walt Disney Studios chairman Alan F. Horn, who had previously run Warner Bros. which released the eight Harry Potter films that starred Watson as Hermione Granger. Watson had previously been attached to star in Guillermo del Toro's film adaptation of the original fairy tale for Warner Bros., but the project never materialized. Susan Egan, who originated the role of Belle in the 1994 Broadway musical, commented on the casting of Watson as "perfect", while Paige O'Hara, who voiced Belle in the original 1991 animated film, said, "I think that if I were producing that movie, Emma Watson would've been my first choice for Belle. I was just really happy they went with Emma. She's got the intelligence, she's got the humor. I think she's going to be really, really special. Watson was paid $3 million upfront, with an agreement that her final take-home pay could rise as high as $15 million if the film generated gross box office income similar to the $758 million worldwide gross of Maleficent.

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Daisy Duczmal as infant Belle

Dan Stevens as the Beast, a cold-hearted, selfish, unkind prince who has been transformed into a talking beast and forced to earn back his humanity by learning to truly love and be loved in return, as well as to give rather than take. Stevens portrays the character through motion-capture.

Adam Mitchell as the younger version of the prince

Luke Evans as Gaston, a narcissistic and arrogant hunter and veteran of the French Royal Army who seeks to have Belle as his trophy wife. Evans was announced to have been cast on March 4, 2015. Idris Elba also auditioned for the role.

Kevin Kline as Maurice, Belle's protective widowed father who works as a music box maker and an artist.

Jolyon Coy as young Maurice

Josh Gad as LeFou, Gaston's flamboyant, illiterate, animal-loving and long-suffering sidekick who bolsters his friend's ego but often disagrees with his decisions.

Ewan McGregor as Lumière, the Beast's charismatic maître d' who has been transformed into a candelabra.

Stanley Tucci as Cadenza, a neurotic composer (who is described as "a neurotic maestro") and Madame de Garderobe's husband who has been transformed into a harpsichord.

Audra McDonald as Madame de Garderobe, a world-renowned opera singer and Cadenza's wife who has been transformed into a wardrobe.

Gugu Mbatha-Raw as Plumette, a castle maid and Lumière's lover who has been transformed into a feather duster.

Hattie Morahan as Agathe, an enchantress responsible for cursing the Prince, and who lives incognito in Belle's village as a "hag". Morahan also narrates the prologue.

Rita Davies portrays the enchantress in her beggar woman form. The film was released posthumously after Davies' death.

Nathan Mack as Chip, Mrs. Potts' plucky son who has been transformed into a teacup.

Ian McKellen as Cogsworth, the Beast's strict but loyal butler and the head of the household staff who has been transformed into a mantel clock.

Emma Thompson as Mrs. Potts, the castle's motherly head housekeeper who has been transformed into a teapot.

The film also features Thomas Padden as Chapeau, the prince's valet who has been transformed into a coat rack, and Clive Rowe as Cuisinier, the castle's head chef who has been transformed into a stove. Additionally, Sophie Reid, Rafaëlle Cohen, and Carla Nella appear as the Village Lasses, a trio of women who fawn over Gaston and are jealous of Belle. Jimmy Johnston, Dean Street, and Alexis Loizon appear as Tom, Dick, and Stanley, a trio of men who are friends with Gaston and LeFou and serve as the former's henchmen. Adrian Schiller appears as Monsieur D'Arque, the sly warden of the local asylum who is bribed by Gaston to have Maurice institutionalized. Gerard Horan appears as Monsieur Jean Potts, Mrs. Potts' husband and Chip's father. Haydn Gwynne appears as Clothilde, a fishmonger and Cogsworth's wife. Michael Jibson appears as the Tavern Keeper, the owner and keeper of Villeneuve's local tavern. Ray Fearon appears as Père Robert, Villeneuve's local chaplain who encourages Belle to borrow the books in the chapel's meager library. Zoe Rainey appears as Belle's mother, Maurice's late wife who contracted the plague and died when Belle was an infant. Gizmo appears as Frou-Frou, Maestro Cadenza's and Madame de Garderobe's pet Yorkshire Terrier who has been transformed into a footstool. Tom Turner[b] appears as the King, the prince's father who, following his wife's death, raised his son to be just as arrogant and selfish as he was. Harriet Jones appears as the Queen, the Prince's mother who died of an illness when he was a child. Dale Branston appears as Villeneuve's resident baker. Chris Andrew Mellon appears as Nasty Headmaster, the unnamed headmaster of an all-boys school in Villeneuve that disapproves of Belle teaching a young girl how to read. Vivian Parry appears as the Village Lasses' mother, an unnamed seamstress. Stephen Merchant was set to appear as Monsieur Toilette, a servant who was turned into a toilet, but his scenes were cut from the theatrical release of the film.

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Development

Previously, Disney had begun work on a film adaptation of the 1994 Broadway musical. However, in a 2011 interview, composer Alan Menken stated the planned film version of the Beauty and the Beast stage musical "was canned".

By April 2014, Walt Disney Pictures had already begun developing a new live-action version of Beauty and the Beast after making other live-action fantasy films such as Alice in Wonderland, Maleficent, Cinderella, and The Jungle Book. Two months later, Bill Condon signed on to direct the film from a script by Evan Spiliotopoulos. Later in September of that same year, Stephen Chbosky (who directed Emma Watson in The Perks of Being a Wallflower) was hired to re-write the script.

Before Condon was hired to direct the film, Disney approached him with a proposal to remake the film in a more radical way as Universal Studios had remade Snow White and the Huntsman (2012). Condon later explained that "after Frozen opened, the studio saw that there was this big international audience for an old-school-musical approach. But initially, they said, 'We're interested in a musical to a degree, but only half full of songs.' My interest was taking that film and doing it in this new medium—live-action—as a full-on musical movie. So I backed out for a minute, and they came back and said, 'No, no, no, we get it, let's pursue it that way. Walt Disney Pictures President of Production Sean Bailey credited Walt Disney Studios chairman Alan F. Horn with the decision to make the film as a musical: "We worked on this for five or six years, and for 18 months to two years, Beauty was a serious dramatic project, and the scripts were written to reflect that. It wasn't a musical at that time. But we just couldn't get it to click and it was Alan Horn who championed the idea of owning the Disney of it all. We realized there was a competitive advantage in the songs. What is wrong with making adults feel like kids again? The film's ending originally featured Gaston being cursed by the Enchantress, though the idea was scrapped.

Casting

In January 2015, it was announced that Emma Watson had been cast as Belle, the female lead. Two months later, Luke Evans and Dan Stevens were reported to be in talks to play Gaston and the Beast respectively, and Watson confirmed their casting the next day on Twitter. The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor, and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière, and Cadenza, respectively.

Filming

Principal photography began on May 18, 2015, taking place at Shepperton Studios in Surrey, England, nearby in the village of Cranleigh, and in Lacock, Wiltshire. The massive movie set of the fictional provincial town of Villeneuve (named after the author of the original fairy tale, Gabrielle-Suzanne Barbot de Villeneuve) was inspired by the town of Conques in southern France and measured 28,787 square feet (2,670 m2).

Filming with the principal actors concluded on August 21. Six days later, co-producer Jack Morrissey confirmed that production had officially wrapped. The castle in the film was inspired by the Château de Chambord in France.

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The Beast was portrayed with a "more traditional motion capture puppeteering for the body and the physical orientation", where actor Dan Stevens was "in a forty-pound gray suit on stilts for much of the film". The facial capture for the Beast was done separately in order to "communicate the subtleties of the human face" and capture the thought that occurs to him" which gets "through the eyes, which are the last human element in the Beast." The castle servants who are transformed into household objects were created with CGI animation.

One concern was that one wrong step could lead to one of Stevens's steel stilts crushing one of Watson's feet, which could have severely disrupted production. To minimize that risk, the actors spent three months in pre-production and rigorously rehearsed their scenes. For the film's iconic dance scene, they initially practiced waltz steps on the ground, then Stevens learned how to walk on stilts, and then he learned how to waltz on stilts.

Prior to the film's release, Bill Condon refilmed one certain sequence in the "Days in the Sun" number, due to confusion among test audiences caused by actress Harriet Jones, who looked similar to Hattie Morahan, who portrayed Agathe. In the original version of the scene, it was Jones' character, the Prince's mother, who sings the first verse of the song, with Rudi Goodman playing the young Prince and Henry Garrett playing his father; but in the reshot version of the scene, the singing part is given to the Prince (now played by Adam Mitchell). The King was also recast to Tom Turner, although Harriet Jones was still the Queen, albeit with dark hair. Both Goodman and Garrett's names were mistakenly featured in the original theatrical release's credits, but was later corrected in home releases.